Death of a Salesman Essay -- Arthur Miller Exposes Willy Loman

Death of a Salesman compose by Arthur moth miller in 1948 attempts to give the auditory modality an unusual glimpse into the mind of a Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be worth something, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the athletic supporter d hold one mold at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willys up-to-date state of mind. These techniques are essential to the play, as it is only through this victimization that Willy can realistically be driven to motives of suicide.The very first division of the first scene, already defines the basis of Willys character for the rest of the play. The tier directions on page 8 identify him as being an ill-defined aging man, whose work awaits to be wearin g him down. lets his burden down (Miller, 8). Although this makes Willy surface uninteresting, he soon contrasts this characteristic when he shows an optimistic determination towards his own failures. Ill start out in the morning. Maybe Ill intent better in the morning. (Miller, 9) Another aspect of Willy that makes him more interesting to the audience is his already visible complexity of layers I have such thoughts, I have such strange thoughts. (Miller, 9) This of course leads the audience on to inquire what exactly is taking place in a mans head to make him say such a thing, evoking a crackers fascination in Willys character. Another character that is developed around immediately within the first two pages of the play is Linda. Again the set directions on page 8 introdu... ...me period without using artificial memorable speech. This conveyance of naive realism to the audience is vital for Willys motives to seem plausible, and for Willy to be believed in as a character. On the other go by however, Death of a Salesman offers the audience another aspect of the play in which the inner mind of a character is symbolically represented in an expressionistic way on stage. Arthur Miller however succeeds in combining theses seemingly contradictory techniques, by conveying a sense of realism in the way the protagonists mind is portrayed, creates what sets it aside from anything equivalent it.Work CitedMiller, Arthur. Death of a Salesman. U.K. Penguin, 2013.Works ConsultedBloom, Harold. Arthur Miller. New York Chelsea, 2008.Griffin, Alice. Understanding Arthur Miller. capital of South Carolina University of South Carolina Press, 1996.